(FUNNY CREATIVE WITTY TITLE)

Girl
17
from
newzealnd

anobium:

“The erosion of cultures – and of “culture” as a whole – is the theme that runs through the last 25 years of my artistic practice,” says Québécois artist Guy Laramée. His four-page CV details only a portion of his artistic career, which has included exhibits, collections, essays, interdisciplinary performances, and sculpture, stands as a testament to his dedication to art as a style of living.

I first learned of Laramee’s work through his photogenic Great Wall project. For this project, Laramee carved sculptures and landscapes into the books (photos of which are interspersed in this piece) comprising a hundred-volume historiographic series about the so-called “Great Wall of America.”

I contacted Laramee to ask if he would be open to a conversation about his work, and the work of art in general. What follows is the first part of a four-part conversation culled from a month-long e-mail interchange between Laramee and I where we talk about ideology, culture, belief, and most importantly, existence.

Read the interview here.

black-tangled-heart:

All The Wild Horses

by Andrew McGibbon

‘All The Wild Horses’ is a tribute to the beast that has made much of what we call life possible. The images are unique and have a style to them reminiscent of the portraiture of the rich and famous. The artist has attempted, and succeeded, to show a sense of personality and emotion - sadness in some cases and pride in others.

(Source: arpeggia)

magnolius:

Seung Mo Park is the Korean artist who meticulously cuts up layers of wire mesh by hand to create some very beautiful large-scale portraits.

Each of his pieces start off with a photograph laid over layers of wires with a projector. Then Park starts to cut away certain areas of the mesh to slowly reconstruct the image of the original picture.

(via narwhaltusk)